He was a prolific contributor to musical journals, in which he discussed music theory and outlined his musical philosophy. Gould was also a writer, broadcaster, composer and conductor. He stopped giving concerts at the age of 31 to concentrate on studio recording and other projects. Gould was known for his eccentricities, from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and behaviour. Although his recordings were dominated by Bach and Beethoven, Gould's repertoire was diverse, including works by Mozart, Haydn, and Brahms pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons and 20th-century composers including Paul Hindemith, Arnold Schoenberg, and Richard Strauss. Gould rejected most of the standard Romantic piano literature by Chopin, Liszt, Rachmaninoff, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Gould's playing was distinguished by a remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music. He was one of the best known and most celebrated pianists of the 20th century, and was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. Glenn Herbert Gould ( / ɡ uː l d/ né Gold 25 September 1932 – 4 October 1982) was a Canadian classical pianist.
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